Lustige Witwe / Hanna GlawariLustige Witwe, Oper Wuppertal 2023
Rosalinde
Rosalinde, Fledermaus, Opéra de Toulon
Natascha Rostova
War and Peace, Nuremberg, 2018
Soprano Eleonore Marguerre will be starring on several European stages as “Merry Widow” Opera Bonn, in the baroque Opera “Talestri – Queen of Amazones” and the title role of “La Grande-Duchesse de Gèrolstein” at Staatstheater Nuremberg. 2023 sees her return to Théâtre la Monnaie in Bruxelles with “Rheingold” as well as a new “Fledermaus” at Tokyo. In 2024 she will sing Rosalinde in Angers, Nantes and Rennes.
She will sing first time Puccini’s “Fanciulla del West” at Theater Detmold and return to Staatstheater Cottbus as Agathe / Freischütz. Concerts for 2025 bring her to Switzerland.
Aktuelles
Dec 15 – Jan 6 – Gipsy Baron / Baron Tzigane @Genève Opera
First reviews …
“Best was the Saffi of Eleonore Marguerre. Her voice has strength and musicality and she could have the potential to expand into heavier German roles.” Seen and Heard inter. 19/12/2017
“Eleonore Marguerre portrays a remarkable Saffi, with a colourful and round voice, with a lovely and delicate vibrato. She reduces powerful high notes to a filo di voce and delivers a subtle portrait of the character. “Olryx 17.12.2017
“Eleonore Marguerre is a remarkable Saffi with a round and warm voice and with her aria in the first act the evening starts to finally get emotional.“Le Temps 17.12.2017
“Eleonore Marguerre als Saffi nimmt uns ein und sticht aus der Besetzung zweifellos heraus.” Tribune de Genève 16.12.2017
Premiere Day on Dec 15h 2017 at Grand Theatre Geneva
Conductor Stefan Blunier
Director Christian Räth
Set & costumes Leslie Travers
Sándor Barinkay Jean-Pierre Furlan
Sáffi Eleonore Marguerre
Czipra Marie-Ange Todorovitch
Arsena Melody Louledjian
Comte Carnero Daniel Djambazian
Kálmán Zsupán Christophoros Stamboglis
Ottokar Loïc Félix
Comte Homonay Marc Mazuir
Mirabella Jeannette Fischer
Podcast Listeners !
If You want to get my personal 13 min introduction in english to the story of the Gipsy Baron I am happy to invite You to listen to my podcast – click here
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And for all french-speaking visitors the artistic head of Genève Opéra Daniel Dollé offers an introduction to Gipsy Baron –
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Premiere of Arabella @Oper Dortmund
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The premiere went really well and the critics are more than pleasing..
Deutschlandfunk (Podcast) 24.9.2017 “A young woman, singing and acting perfectly..”
Der neue Merker Vienna, October “Eleonore Marguerre in the huge lead role is fantastic. Young and full of life she manages to portrait the young woman Arabella – not an elder Diva. Without any sign of tiredness she sings the chromatic parts, the fast parlando, hit well also the low notes and showed great legato lines in the thoughtful solo scenes and held a fantastic High B at the end of the Opera “Nimm mich wie ich bin” – the audience was visibly pleased, someone even hummed the famous “Aber der Richtige”..”
Ruhrbarone 25.9.2017 “It’s the evening of Eleonore Marguerre. Her velvetlike, round soprano fills up the audience with sound.”
Westfalenpost 25.9.2017 “Arabella could be a russian oligarchian princess, bored, spoiled and unsatisfied. The soprano manages her huge part with beaming, effortless high notes and a voluptuous middle register.”
Theater Dortmund
Opernhaus
Premiere 24.9.2017
Arabella
Musikalische Leitung Gabriel
Feltz Regie Jens-Daniel Herzog
Bühne Mathis Neidhardt Kostüme
Sibylle Gädeke Chor Manuel Pujol
Dramaturgie
Georg Holzer
Graf Waldner: Morgan Moody
Adelaide: Almerija Delic
Arabella: Eleonore Marguerre
Zdenka: Ashley Thouret
Mandryka: Sangmin Lee
Matteo: Thomas Paul
Graf Elemer: Alexander Sprague
Graf Dominik: Marvin Zobel
Graf Lamoral: Luke Stoker
Fiakermilli: Jeannette Wernecke
Eine Kartenaufschlägerin: Julia Amos
Drei Spieler: Geronti Cernysev, David Cheong, Youngbin Park
Welko, Leibhusar des Mandryka: Mario Ahlborn
Jankel, Diener des Mandryka: Georg Kirketerp
Ein Zimmerkellner: Johannes Knecht
Mit dem: Opernchor des Theater Dortmund
Mit den: Dortmunder Philharmonikern
Erste Kritiken “La Traviata” Tours
La Traviata, Act 1, with Sébastien Droy, Opéra de Tours, 2015, Pic by Francois Berthand
“Die Rolle scheint Eleonore Marguerre schon lange zu begleiten, so reif und durchdacht wirkt diese Interpretation in ihrer Aufrichtigkeit und Stringenz. (…) In “Ah! Fors’è lui” ist jede Phrase elegant wie Mozart, jedes Wort und jede Silbe bis zum Ende gedacht, und dennoch voller Energie gesungen. Im zweiten Akt tritt die Schauspielerin hervor, schmerzerfüllt bis zum leidenschaftlichen “Amami Alfredo”. (…) Bis zum Ende leidet man mit dieser Violetta, die lebenstrunken ist und dennoch zerbrechlich, wie ein Vogel, der von einem Ast gefallen ist.” Classique News
27.5.15“Eleonore Marguerre wird zu recht mit Ovationen bedacht. (…) Aus dem Koloratur-Repertoire kommend, hat sie sich die stimmliche Beweglichkeit für die Koloraturen der ersten Arie inklusive des hohen Es in “Sempre Libera” erhalten. (…) Ihre schlanke Silhouette, die an Romy Schneider denken lässt gibt allem eine große Glaubwürdigkeit, die in ihrem Partner Sébastien Droy ihr Ebenbild findet.” Forum Opera 22.5.2015
Traviata Reviews…
La Traviata, Act 1, with Sébastien Droy, Opéra de Tours, 2015, Pic by Francois Berthand
Our Premiere was a great event, leaving us exhausted and the public enthusiastic – here a first critique in french –
“The role of Violetta must have been ripened and thought through for a long time, so accomplished and sincere is the interpretation of sEleonore Marguerre (…) In “Ah! Fors’è lui” every phrase is elegant as in Mozart, every word and every sillalble is cisellised, and meaningful and still the voice stays vibrant and powerful. We see the art of the actress in the second act, full of suffering until the passionate outburst of love in “Amami Alfredo”. (…) We, the public suffer til the bitter end, compassionate with this Violetta, who is so drunk of life and yet so fragile as a bird that has fallen off a tree. ” Classique News
“Eleonore Marguerre is greeted by justified ovations. This german Soprano can fulfil from one side to the other one of the most demanding roles in the whole repertoire. Coming from a coloratura past, she has kept her vocal agilitiy, which is very welcome in the first act aria up to the High E flat. (…) Her slender appearance ressembling to Romy Schneider make the whole evening credible, matched by her equally attractive partner Sébastien Droy.” (22.5.2015)