Eleonore Marguerre – Sopran
Alena Maria Solle – Alt
André Khamasmie – Tenor
Daniel Blumenschein – Bass
Leitung: Mike Nych
Mitteldeutsches Kammerorchester
Vokalkreis Apolda
Projektchor Bad Berka (Ltg. Julia Raasch)
Karten Tel 03644-562650
Eleonore Marguerre – Sopran
Alena Maria Solle – Alt
André Khamasmie – Tenor
Daniel Blumenschein – Bass
Leitung: Mike Nych
Mitteldeutsches Kammerorchester
Vokalkreis Apolda
Projektchor Bad Berka (Ltg. Julia Raasch)
Karten Tel 03644-562650
Since June 3rs I’m rehearsing in the pretty town of Detmold for the opening of the new direction of General Manager Kirsten Uttendorf – and it’s Puccini’s grand Opera in the Wild West – “La Fanciulla del West” and I’m singing the tough Saloon Keeper Minnie.
Premiere is on Sept 13th
Director: Kay Link
Conductor: GMD Per Otto Johansson
Set Design: Katrin Hieronimus
Costumes: Jule Dohrn-van Rossum
After two years it’s great to be back for our Fledermaus directed by Jean Lacornerie conducted by Claude Schnitzler on Jan 29th and 31rst, Feb 2, 4 and 6th –
Tickets: Opera de Rennes
Heinz Zednik’s production of “Fledermaus” is opening in Tokyo – and it’s very nice to meet again
Patrick Hahn, GMD der Bühnen Wuppertal conducting the Tokyo Philarmonics..
Eleonore Marguerre – Rosalinde
Jonathan McGovern – Eisenstein
Kerstin Avemo – Adele
Thomas Tatzl – Dr. Falke
Tamara Gura – Orlofsky
Henry Waddingtin – Frank
Horst Lamnek – Frosch
Tatsundo Iro – Alfred
Hideyuko Auchi – Dr. Blind
Kaori Hirai – Ida
You want to know what the Fledermaus is about – check out my Podcast in English on the way to the Opera…
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After “Frankenstein” 2019 I’m very happy to return to brussels for Wagner’s “Rheingold” in Brussels on Oct 24th at Théâtre la Monnaie.
Director: Romeo Castellucci,
Conductor: Alain Altinoglu
Wotan GÁBOR BRETZ
Donner ANDREW FOSTER-WILLIAMS
Froh JULIAN HUBBARD
Loge NICKY SPENCE
Fricka MARIE-NICOLE LEMIEUX
Freia ANETT FRITSCH
Erda NORA GUBISCH
Alberich SCOTT HENDRICKS
Mime PETER HOARE
Fasolt ANTE JERKUNICA
Fafner WILHELM SCHWINGHAMMER
Woglinde ELEONORE MARGUERRE
Wellgunde JELENA KORDIĆ
Flosshilde CHRISTEL LOETZSCH
Nach Frankenstein 2019 freue ich mich auf unsere Premiere von Wagners “Rheingold” in Brüssel am 24.10.2023.
Regie führt Romeo Castellucci, es dirigiert Alain Altinoglu am
Théâtre la Monnaie.
Wotan GÁBOR BRETZ
Donner ANDREW FOSTER-WILLIAMS
Froh JULIAN HUBBARD
Loge NICKY SPENCE
Fricka MARIE-NICOLE LEMIEUX
Freia ANETT FRITSCH
Erda NORA GUBISCH
Alberich SCOTT HENDRICKS
Mime PETER HOARE
Fasolt ANTE JERKUNICA
Fafner WILHELM SCHWINGHAMMER
Woglinde ELEONORE MARGUERRE
Wellgunde JELENA KORDIĆ
Flosshilde CHRISTEL LOETZSCH
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Eleonore Marguerre – Soprano
Ulrika Strömstedt – Mezzosoprano
Uwe Stickert – Tenor
Uwe Schenker-Primus – Bariton
Joan Pagès Valls – Conductor
Dirk Sobe – piano
Festival Altenburg
Tickets 25 € /22,50€ ermäßigz – Tel. 03447 896689
A musical portrait on Scottish National Poet Robert Burns – I am honoured to join in with
Richard Morrison – Bariton
Eleonore Marguerre – Sopran
Mathew McKelvie – Dudelsack & Fiddle
Rolf Sieren- Klavier
Infos on the Festival Kultursommer Rheinland-Pfalz
Scotts Festival Mainz
Free admission / Entry Tickets (click) Universität Mainz
Ein musikalisches Portrait des schottischen Dichters Robert Burns und ich darf dabei sein gemeinsam mit
Richard Morrison – Bariton
Eleonore Marguerre – Sopran
Mathew McKelvie – Dudelsack & Fiddle
Rolf Sieren- Klavier
Infos über das Festival im Rahmen von Kultursommer Rheinland-Pfalz
Scotts Festival Mainz
Anmeldung (freier Eintritt) Universität Mainz
There we go in Nuremberg! A new adventure to this famous Operetta by Offenbach!
The Drama Director Andreas Kriegenburg is staging his first ever Operetta after acclaimed Opera productions like the “Ring des Nibelungen” in Munich and many more.
I’m looking forward to playing this character of a slightly crazy, bossy and permanently in love princess Staatstheater Nürnberg.
Eleonore Marguerre – Grande-Duchesse
Martin Platz – Fritz
Chloë Morgan – Wanda
Hans Gröning – General Boum
Michael Fischer – Baron Puck
Sergei Nikolaev – Prince Paul
Pius Maria Cüppers – Nepomuk
Mats Roolvink – Baron Grog
Conductor: Lutz de Veer
Stage: Harald Thor
Costumes: Andrea Schraad
At Staatstheater Nürnberg we are preparing the baroque Opera “Talestri” in which I will star as high Priestess Tomiri. Tomiri founded the Amazone’s country because of her violent past. There are a lot of confusions, Tomiri has a son and The Skythe’s prince Oronte falls in love with queen Talestri.
Many gorgeous arias by Maria Antonia Walpurgis, saxonian Duches, can be heard. The piece was premiered in 1763 and the duchess herself played the main role…
Conductor: Wolfgang Katschner Directer: Ilaria Lanzino Set & costumes: Emine Güner
Julia Grüter – Talestri Corinna Scheurle – Antiope, Talestris Schwester
Eleonore Marguerre – Tomiri Ray Chenez – Oronte Sergei Nikolaev – Learco
Amazones Dancers – Mai Förster, Shuting Wang, Romane Petit, Chiara Viscido, Aiga Keller-Ginsberg, Elodie Lavoignat, Sandra Lommerzheim, Anna Mair, Carola Diem
I’m giving my debut as the rich widow Hanna Glawari who is looking for the love of her life in Paris. It’s a wonderful production by Christopher Alden, in the set of Blanca Anon, Costumes by Kaye Voyce and Marc Gonzalo as Light Designer
Chief conductor Patrick Hahn will have the musical direction.
Sebastian Campione (Baron Mirko Zeta)
Hyejun Kwon (Valencienne, seine Frau / Grisette)
Simon Stricker (Graf Danilo Danilowitsch)
Eleonore Marguerre (Hanna Glawari)
Theodore Browne (Camille de Rosillon)
Max van Wyck (M. de Saint-Brioche)
Mark Bowman-Hester (Vicomte Cascada)
Banu Schult (Olga, seine Frau / Grisette)
Teresa Heiligenthal (Olga, seine Frau / Grisette)
Philippine Pachl (Njegus / Grisette)
Shows from Aug 27th 2022 til Feb 19th 2023 – Tickets available https://www.oper-wuppertal.de/oper/programm/detailansicht-auffuehrung/?tx_wbfe_pi1[performance]=3778
Wenn zwei Ehepartner sich streiten, freut sich ein Dritter.
So ist es zumindest bei Laura und Eduard.
Kurz nach der Hochzeit steht das junge Paar bereits vor dem Liebesaus.
Doch für eine erfolgreiche Scheidung braucht es den triftigen Grund: Mit dem schönen Herrn Hermann ist dieser schnell gefunden.
Das Liebesunglück nimmt seinen Lauf und erfreut sich größten Medieninteresses: Ob
Zeitungsberichte, TV-Auftritte oder die große Varieté-Show – die Medien saugen das junge
Paar und ihre Geschichte vollkommen aus. Als die beiden feststellen, dass sie doch zusammengehören, hat die Öffentlichkeit ihr Schicksal allerdings bereits fest im Griff.
•••••••••••••••••••••••••••••••••
Paul Hindemiths “lustige Oper in drei Teilen” trifft zielgenau den wunden Punkt der medialen Sensationssucht zwischen Reality-Show, Yellow Press und Social Media.
Opernführer-Podcast als Einführung
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Regie: Sonja Trebes Dirigent: Giuliano Betta Bühne: Dirk Becker
Kostüme: Jula Reindell Video: Moritz Hilsch Choreo: Andreas Langsch
Eleonore Marguerre – Laura
Piotr Prochera – Eduard
Martin Homrich – Der schöne Herr Herrmann
Almut Herbst – Frau M.
Tobias Glagau/ Adam Temple-Smith – Herr M.
Philipp Kranj – Hoteldirektor
Tickets: https://musiktheater-im-revier.de/de/performance/2021-22/neues-vom-tage
When two spouses argue, a third is happy.
At least that’s the case with Laura and Eduard.
Shortly after their wedding, the young couple is already facing the end of their love.
But for a successful divorce, a good reason is needed: with the handsome Mr. Hermann, one is quickly found.
Their unhappy marriage takes its course and enjoys the greatest media interest: whether in newspaper reports, TV appearances or a big broadway show – the media devour the young couple and their story. By the time the two realize that they do belong together, however, the public already has a firm grip on their fate.
•••••••••••••••••••••••••••••••••
Paul Hindemith’s “funny opera in three parts” precisely hits the sore spot of media sensationalism between reality show, yellow press and social media.
Director: Sonja Trebes Conductor: Giuliano Betta Sets: Dirk Becker
Costumes: Jula Reindell Video: Moritz Hilsch Choreo: Andreas Langsch
Eleonore Marguerre – Laura
Piotr Prochera – Eduard
Martin Homrich – Der schöne Herr Herrmann
Almut Herbst – Frau M.
Tobias Glagau/ Adam Temple-Smith – Herr M.
Philipp Kranj – Hoteldirektor
Tickets: https://musiktheater-im-revier.de/de/performance/2021-22/neues-vom-tage
I’m very happy sing Gounod’s “Faust” again after five years and I enjoy the setting at the polish Opera Wroclaw – two shows on November 19 and 21
Tickets – Opera Wroclawska
Instead of Zemlinsky’s “Traumgörge” we are rehearsing now at Oper Frankfurt the Opera “Le Vin Herbé” – directed by Tilmann Köhler, Markus Poschner/ Nikolai Petersen are conducting and I will be “Isolde, the blonde”. An interesting opera with a very small orchestra composed in 1943 by swiss composer Franck Martin.
https://oper-frankfurt.de/de/spielplan/le-vin-herbe/?id_datum=2519
Eleonore Marguerre – Iseut, la Blonde Ian Koziara – Tristan Marvic Monreal – Iseut aux blanches mains
Angela Vallone – Branghien Kihwan Sim – Roi Marke Theo Lebow – Kaherdin
Judita Nagoya – Mère d’Iseut Herzog Hoel – Anthony Robin Schneider
Stage: Karoly Risz Costume design: Susanne Uhl
First critics are very positive…
“The cast is very well chosen. Especially Eleonore Marguerre in the title role is great, not only musically. She embodies perfectly the young shy girl from the beginning, but also the loving women who is tempted by a life in luxury. Her voice shows the full range from lyric expression to passionate outburst and convinces as much with her subtleness as with her effortless high notes.” Süddeutsche Zeitung, Munich, Jan 20th, 2020
https://www.sueddeutsche.de/kultur/oper-spiel-auf-leben-und-tod-1.4762384
After three years in Geneva I can now step on again as “Manon” at Staatstheater Nürnberg for 11 times and enjoy lovely french music by Massenet. I really like the very cool and comtemporanian direction by Tatjana Gürbaca, .. and five wigs and outfits will give it a real fancy appearance!
Set – Marc Weeger costumes – Silke Willret conductor – Guido Johannes Rumstadt
Eleonore Marguerre – Manon
Tadeusz Szlenkier – Chevalier Des Grieux
Levent Bakirci – Lescaut
Taras Konoshchenko – Comte des Grieux
Hans Kittelmann – Guillot de Morfontaine
Richard Morrison – Monsieur de Brétigny
Julia Grüter – Poussette
Nayun Lea Kim* – Javotte
Paula Meisinger* – Rosette
Michael Fischer* – an inn- keeper
Johannes Lang – Diener/ Pförtner/ Croupier/ Sergeant
… more dates
what an immense pleasure to come back to one of my dream roles Violetta in La Traviata, in Andreas Homoki production. Together with Matthew Newlin as Alfredo, Laimonas Pautienus as Germont and Alexander Joel conducting.
Immer wieder wunderbar – Violetta in La Traviata singen, diesmal in Düsseldorf mit Matthew Newlin als Alfredo und Laimonas Pautienius as Germont und Alexander Joel c
The premiere was a big success and the press likes it, too! Already two sold out shows ..
“with beautiful vocal lines sung by the excellent German soprano Eleonore Marguerre. She is innocent Elizabeth, Dr. Frankenstein’s wife and she is the only loving person. Therefore she has to do die in this world of madnes..” (L’ECHO, 12.3.2019)
https://www.lecho.be/culture/scenes/Un-Frankenstein-visuellement-envoutant-a-La-Monnaie/10106427
The first opera ever written based on Mary Shelley’s novel “Frankenstein” by MARK GREY and I look forward to sing Frankenstein’s wife Elizabeth.. although I get killed by the creature in the end..
Check out my newest english podcast episode presenting the new opera “Frankenstein” to you together with American composter Mark Grey
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And we will be live on March 15h at 20:00 (UTC +1) – available til September 14th 2019
Conductor – BASSEM AKIKI
Direction – ÀLEX OLLÉ (LA FURA DELS BAUS)
Set design – ALFONS FLORES
Costumes – LLUC CASTELLS
Lighting – URS SCHÖNEBAUM
Video – FRANC ALEU
Victor Frankenstein- SCOTT HENDRICKS
Elizabeth – ELEONORE MARGUERRE
Creature – TOPI LEHTIPUU
Dr. Walton – ANDREW SCHROEDER
Henry – CHRISTOPHER GILLETT
Blind Man / Father – STEPHAN LOGES
Prosecutor – William Dazeley
Eleonore Marguerre as Natasha Rostova
First reviews are really enthuastic about the production…
„At this opera night we see and hear an ideal vocal and acting-wise totally credible incarnation of an overwhelmingly good Natascha sung by Eleonore Marguerre. The enormous applause for Marguerre by the audience proved the singer’s abilities to give an accurate portrait of this young and confused women in search of her true self.“
Opernfreund 2.10.
„The reason is also to be found in Eleonore Marguerre, who portrays and sings so credibly the young and inexperienced Natascha with her youthful soprano. It is her who carries the audience through the first part.“
Klassikinfo, 3. 10.2018
„With such a large and accomplished ensemble cast, it seems almost unfair to pick out individual singers for praise, but the central trio was in a class of its own: Eleonore Marguerre’s detailed and vocally nuanced exploration of the character of Natasha, Jochen Kupfer’s nobly sung Andrei and Zurab Zurabishvili’s conflicted, passionate Pierre.“
Bachtrack, 1.10.
Director: Jens-Daniel Herzog
Conductor: Joana Mallwitz
Fürst Andrei Bolkonski – Jochen Kupfer
Pierre Besuchow – Zurab Zurabishvili
Anatol Kuragin – Tadeusz Szlenkier
Helene Besuchowa – Irina Maltseva
Sonja/2. Schauspielerin/Matrjoscha – Kathrin Heles
Maria Dmitrijewna Achrossimowa/Mawra Kusminitschna – Martina Dike
Marija Bolkonskaja – Almerija Delic
Dolochow/Jacqueau – Taras Girininkas
Denissow – Denis Milo/Michael Fischer
Platon Karatajew – Martin Platz
Nikolai Bolkonski/General Belliard – Nicolai Karnolsky
Matwejew/Adjutant aus dem Gefolge Napoleons/Balage – Gor Harutyunyan
Peronskaja/Dunjascha, Stubenmädchen Rostows/1. Schauspielerin – Andromahi Raptis
Staatsphilharmonie Nürnberg
Chor und Extrachor des Staatstheaters Nürnberg
Tickets: State Theatre Nuremberg (Webshop) or tel. 0049.911.231-3808
Unverhofft kommt oft – kurzfristig habe ich die “Arabella” in der Inszenierung von Uwe-Eric Laufenberg übernommen.. Aufregend und schön war es und dank GMD Patrick Lange und dem fantastischern Thomas J. Mayer als Mandryka ein großes Vergnügen..
Staatstheater Wiesbaden
“Eleonore Marguerre gibt uns mit runder und farbenreicher Stimme mit feinem Vibrato ein bemerkenswertes Portrai der Zigeunertochter Saffi. Sie nimmt ihren kraftvollen hohen Töne im decrescendo zu einem zarten pianissimo zurück und zeichnet ein nuanciertes Portrait der Figur. ” Olryx 17.12.2017
“Man wird erobert von Eleonore Marguerre als Saffi, die zweifellos aus der Besetzung heraussticht.” Tribune de Genève 16.12.2017
“Eleonore Marguerre ist eine bemerkenswerte Saffi mit warmer und runder Stimme, und wenn sie im 1. Akt ihr Lied anstimmt, fangen die Emotionen an zu fließen. ” Le Temps 17.12.2017
Premiere ist am 15. Dez 2017 am Grand Theatre Genf
Conductor Stefan Blunier
Director Christian Räth
Set & costumes Leslie Travers
Sándor Barinkay Jean-Pierre Furlan
Sáffi Eleonore Marguerre
Czipra Marie-Ange Todorovitch
Arsena Melody Louledjian
Comte Carnero Daniel Djambazian
Kálmán Zsupán Christophoros Stamboglis
Ottokar Loïc Félix
Comte Homonay Marc Mazuir
Mirabella Jeannette Fischer
“Best was the Saffi of Eleonore Marguerre. Her voice has strength and musicality and she could have the potential to expand into heavier German roles.” Seen and Heard inter. 19/12/2017
“Eleonore Marguerre portrays a remarkable Saffi, with a colourful and round voice, with a lovely and delicate vibrato. She reduces powerful high notes to a filo di voce and delivers a subtle portrait of the character. “Olryx 17.12.2017
“Eleonore Marguerre is a remarkable Saffi with a round and warm voice and with her aria in the first act the evening starts to finally get emotional.“Le Temps 17.12.2017
“Eleonore Marguerre als Saffi nimmt uns ein und sticht aus der Besetzung zweifellos heraus.” Tribune de Genève 16.12.2017
Premiere Day on Dec 15h 2017 at Grand Theatre Geneva
Conductor Stefan Blunier
Director Christian Räth
Set & costumes Leslie Travers
Sándor Barinkay Jean-Pierre Furlan
Sáffi Eleonore Marguerre
Czipra Marie-Ange Todorovitch
Arsena Melody Louledjian
Comte Carnero Daniel Djambazian
Kálmán Zsupán Christophoros Stamboglis
Ottokar Loïc Félix
Comte Homonay Marc Mazuir
Mirabella Jeannette Fischer
Podcast Listeners !
If You want to get my personal 13 min introduction in english to the story of the Gipsy Baron I am happy to invite You to listen to my podcast – click here
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And for all french-speaking visitors the artistic head of Genève Opéra Daniel Dollé offers an introduction to Gipsy Baron –
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The premiere went really well and the critics are more than pleasing..
Deutschlandfunk (Podcast) 24.9.2017 “A young woman, singing and acting perfectly..”
Der neue Merker Vienna, October “Eleonore Marguerre in the huge lead role is fantastic. Young and full of life she manages to portrait the young woman Arabella – not an elder Diva. Without any sign of tiredness she sings the chromatic parts, the fast parlando, hit well also the low notes and showed great legato lines in the thoughtful solo scenes and held a fantastic High B at the end of the Opera “Nimm mich wie ich bin” – the audience was visibly pleased, someone even hummed the famous “Aber der Richtige”..”
Ruhrbarone 25.9.2017 “It’s the evening of Eleonore Marguerre. Her velvetlike, round soprano fills up the audience with sound.”
Westfalenpost 25.9.2017 “Arabella could be a russian oligarchian princess, bored, spoiled and unsatisfied. The soprano manages her huge part with beaming, effortless high notes and a voluptuous middle register.”
“Die Rolle scheint Eleonore Marguerre schon lange zu begleiten, so reif und durchdacht wirkt diese Interpretation in ihrer Aufrichtigkeit und Stringenz. (…) In “Ah! Fors’è lui” ist jede Phrase elegant wie Mozart, jedes Wort und jede Silbe bis zum Ende gedacht, und dennoch voller Energie gesungen. Im zweiten Akt tritt die Schauspielerin hervor, schmerzerfüllt bis zum leidenschaftlichen “Amami Alfredo”. (…) Bis zum Ende leidet man mit dieser Violetta, die lebenstrunken ist und dennoch zerbrechlich, wie ein Vogel, der von einem Ast gefallen ist.” Classique News
27.5.15“Eleonore Marguerre wird zu recht mit Ovationen bedacht. (…) Aus dem Koloratur-Repertoire kommend, hat sie sich die stimmliche Beweglichkeit für die Koloraturen der ersten Arie inklusive des hohen Es in “Sempre Libera” erhalten. (…) Ihre schlanke Silhouette, die an Romy Schneider denken lässt gibt allem eine große Glaubwürdigkeit, die in ihrem Partner Sébastien Droy ihr Ebenbild findet.” Forum Opera 22.5.2015
Our Premiere was a great event, leaving us exhausted and the public enthusiastic – here a first critique in french –
“The role of Violetta must have been ripened and thought through for a long time, so accomplished and sincere is the interpretation of sEleonore Marguerre (…) In “Ah! Fors’è lui” every phrase is elegant as in Mozart, every word and every sillalble is cisellised, and meaningful and still the voice stays vibrant and powerful. We see the art of the actress in the second act, full of suffering until the passionate outburst of love in “Amami Alfredo”. (…) We, the public suffer til the bitter end, compassionate with this Violetta, who is so drunk of life and yet so fragile as a bird that has fallen off a tree. ” Classique News
“Eleonore Marguerre is greeted by justified ovations. This german Soprano can fulfil from one side to the other one of the most demanding roles in the whole repertoire. Coming from a coloratura past, she has kept her vocal agilitiy, which is very welcome in the first act aria up to the High E flat. (…) Her slender appearance ressembling to Romy Schneider make the whole evening credible, matched by her equally attractive partner Sébastien Droy.” (22.5.2015)